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Mysterious engraving might depict an Archaic temple on the Acropolis of Athens

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A 2,000-year-old engraving on a marble outcrop near Vari, Attica, might point to an Archaic temple on the Acropolis of Athens.

A study, published in the American Journal of Archaeology, suggest that the engraving was carved by sheep and goat herders in the area of Barako Hill during the 6th century BC.

The engraving was carved on an exposed marble bedrock and shows an elevated view of the facade of a temple building with at least five columns.

Snaking around the building is an inscription in the Old Attic alphabet that reads: “τὸ hεκατόµπεδον [–]Ε[–] Μίκōνος ⇄”, interpreted as “the Hekatompedon” and was produced by an individual named “Mikon”.

According to the study authors: “The term Ἑκατόµπεδον by which Mikon labelled the drawn temple is a neuter noun deriving from the adjective ἑκατόµπεδος (meaning “of a hundred feet,” occasionally rendered as ἑκατόνπεδος or ἑκατόµποδος). This adjective appears numerous times in the literary record, first seen in the Iliad. It can qualify various structures and spaces.”

In religious contexts, the term can refer to sacred structures with an average length of 100 feet. Several early temples with matching lengths are known from the Ancient Greek world, which archaeologists sometimes call “hekatompedos”.

The Acropolis of Athens is the most noteworthy context of ἑκατόµπεδος, where the word has been previously found on 5th and 4th century BC inscriptions that list objects stored on the Acropolis. ἑκατόµπεδος was in use long before the construction of the Periclean buildings (including the Parthenon) during the so-called Golden Age of Athens (460–430 BC).

“The inscriptions make it clear that in this space stood Pheidias’ colossal chryselephantine statue of Athena, whose base survives in the east chamber of the great Doric temple built at the instigation of Pericles, known in later sources as the Parthenon. The east chamber is 29.87 m (101.5 Attic feet) long, and thus provides a rare case where the term ἑκατόµπε-δος certainly described the actual length of a structure,” said the study authors.

Although the engraving lacks topographical clues, the study authors argue that the Acropolis is the most probable location. This is because the term ἑκατόµπεδος is strongly associated with a specific structure on the Acropolis in both the Classical and Archaic periods. No other Archaic structure in the Ancient Greek world is known by this name.

The authors have identified two Doric temples on the Acropolis that are worthy of the name Hekatompedon: the so-called Bluebeard Temple, stylistically dated to 570–560 BC, and the Gigantomachy Temple, stylistically dated to the final quarter of the 6th century BC.

“Beyond its archaeological significance, Mikon’s engraving shows that architecture featured among the escapist dreams of the shepherds who tended their flocks on Barako Hill. The Hekatompedon, which had perhaps recently emerged from Athena’s holy rock, was a natural source of Mikon’s awe. His drawing now stands as the earliest known testimony of admiration of the architecture of the Acropolis—and as the first of many to come.”

Header Image Credit : Shutterstock

Sources : Mikon’s Hekatompedon: An Architectural Graffito from Attica. https://doi.org/10.1086/729771

This content was originally published on www.heritagedaily.com – © 2023 – HeritageDaily

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Archaeology

Archaeologists study submerged Nabataean temple

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In 2023, archaeologists discovered the submerged remains of a Nabataean temple during an underwater survey of the ancient port of Puteoli, located in modern-day Pozzuoli, Italy.

Puteoli was established in the mid-6th century BC as a Greek colony called Dicaearchia. After the Roman conquest of Campania following the First Samnite War, Dicaearchia was annexed into the Roman Republic, which later founded the colony of Puteoli.

Puteoli served as one of the primary trading hubs for Rome, emerging as the great emporium of foreign trade for the Alexandrian grain ships and goods from across the Roman world.

Due to the position of Puteoli in the Phlegraean Fields, an active volcanic region, volcanic bradyseismic activity has raised and lowered the geology on the peninsula, resulting in parts of Puteoli being submerged.

The results of a year-long study, published in the journal Antiquity, has mapped and reconstructed parts of the submerged temple, the only known temple located outside of Nabataea – an allied kingdom of Rome that controlled territory from the Euphrates to the Red Sea.

The Nabataean temple and the internal routes of the vicus Lartidianus (dotted lines) at the current stage of research – Image Credit : M. Silani

Using a photogrammetric survey, the researchers have identified that the temple had a rectangular plan and two rooms with access facing north, linked to the internal routes of the vicus Lartidianus (an area designated for foreign people engaged in trade).

Within one of the rooms (designated Room A) are two altars made of white Luni marble, and a mensa with eight rectangular recesses for housing aniconic betils. In the second room (designated Room B), the southern perimeter wall has a white marble slab covering, one of which shows the inscription Dusari sacrum, meaning “consecrated to Dushara”, the chief deity of the Nabataean pantheon.

According to the study authors: “The existence of a Nabataean sanctuary within the port area confirms that there was a community from that region participating in the commercial activities of Puteoli.”

“The integration of these individuals within the local community is evident in the building techniques and materials used in the construction of the temple, and for the choice of Latin for the inscriptions to their supreme god, the lord of the mountains and the germinating force of nature, Dushara.”

Header Image Credit : M.Steanile

Sources : Antiquity | https://doi.org/10.15184/aqy.2024.107

This content was originally published on www.heritagedaily.com – © 2023 – HeritageDaily

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Archaeology

Treasure hoard discovered in Viking farmstead

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Archaeologists from the Archaeological Museum at the University of Stavanger have discovered a Viking treasure hoard in the Hjelmeland municipality, Norway.

Excavations were in preparation for the construction of a new farm track to identify any archaeological remains in situ. The researchers discovered traces of a Viking farmstead, consisting of several structures for both the inhabitants and their animals.

Numerous domestic and agricultural objects have been unearthed, including soapstone pots, knife blades, rivets, and whetstones used for sharpening tools.

Mari Krogstad Samuelsen and Ola Tengesdal Lygre were excavating a dwelling used for housing slaves, when they identified what appeared to be twisted hedging wire at a depth of 20 centimetres.

Upon further inspection, the objects were revealed to be four heavy silver bracelets, each adorned with distinct decorative elements.

“This is definitely the biggest thing I have experienced in my career”, says archaeologist and project manager Volker Demuth from the Archaeological Museum at the University of Stavanger.

“This is a unique find, because we very rarely find such objects exactly where they were placed. As a rule, such valuable objects are discovered on fields that have been ploughed, where an object has been completely removed from its original context,” added Demuth.

According to the archaeologists, the hoard dates from around the 9th century AD and shares similarities to silver necklaces found in Hjelmeland in 1769. At that time, there were no silver mines operating in Norway, so all the silver used by the Vikings was sourced from abroad, obtained through trade, received as gifts, or taken as loot during their raiding expeditions.

Evidence of burning also indicates that the farmstead was destroyed by fire, likely during a time of conflict that required the necessity for the inhabitant’s valuables to be deposited in the ground for security.

Header Image Credit : Archaeological Museum at the University of Stavanger

Sources : Archaeological Museum at the University of Stavanger

This content was originally published on www.heritagedaily.com – © 2023 – HeritageDaily

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