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Indigenous trackers can identify animal species from ancient rock art prints

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Indigenous trackers can identify the species, sex, and age of animals from rock art prints found in Namibia.

According to a study published in the journal PLOS ONE, engravings of animal tracks and human footprints appear in numerous traditions of prehistoric rock art around the world. Namibia is especially rich in hunter-gatherer rock art from the Later Stone Age, with many well-executed engravings of animal and human tracks.

In the new study, researchers enlisted the help of Indigenous trackers from the Kalahari desert to analyse animal and human footprints in rock art in the Doro! Nawas Mountains in central Western Namibia.

The trackers could identify the species, gender, age group, and even the specific leg corresponding to the depicted animal or human prints in over 90% of the 513 engravings they analysed.

Their work also discovered that the rock art exhibited greater diversity in representing animal tracks than in portraying the animals themselves. Additionally, engravers displayed a clear preference for certain species and were more inclined to depict adult animals as opposed to juveniles, along with male footprints over female ones.

These findings reveal discernible patterns that likely stem from culturally influenced preferences, yet the precise meaning of these patterns remains enigmatic.

The researchers suggest that consulting with contemporary Indigenous experts might provide valuable insights into this realm. They emphasize that Indigenous knowledge holds the potential to significantly advance archaeological research; however, in this case, the exact significance and context of the rock art are likely to remain elusive.

According to the study authors: “Archaeologists from the Friedrich-Alexander University of Erlangen-Nürnberg and the University of Cologne in Germany, together with indigenous trackers from the Nyae Nyae Conservancy in Tsumkwe, Namibia, have now examined several hundred of the tracks in more detail and discovered surprising details: the tracks cover a wider range of animal species than in conventional animal depictions and differentiated cultural patterns emerge in the representation of the various species.”

PLOS ONE

Header Image Credit : Andreas Pastoors, CC-BY 4.0

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Archaeology

Archaeologists search crash site of WWII B-17 for lost pilot

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Archaeologists from Cotswold Archaeology are excavating the crash site of a WWII B-17 Flying Fortress in an English woodland.

The B-17 Flying Fortress is an American four-engine heavy bomber aircraft developed in the 1930s for the United States Army Air Corps (USAAC).

The bomber was mainly used in the European theatre for daylight strategic bombing, complimenting the RAF Bomber Command’s night bombers in attacking German industrial, military and civilian targets.

Cotswold Archaeology have been tasked by the Defense POW / MIA Accounting Agency to search the crash site for the remains of the pilot, who died when the B-17 crashed following a system failure in 1944.

Image Credit : Cotswold Archaeology

At the time, the plane was carrying a payload of 12,000lbs of Torpex, an explosive comprised of 42% RDX, 40% TNT, and 18% powdered aluminium. Torpex was mainly used for the Upkeep, Tallboy and Grand Slam bombs, as well as underwater munitions.

The pilot was declared MIA when the plane exploded into an inferno, however, using modern archaeological techniques, the researchers plan to systematically excavate and sieve the waterlogged crash site to recover plane ID numbers, personal effects, and any surviving human remains.

It is the hope of the excavation team members that they will be able to recover the pilot’s remains and return him to the United States for burial with full military honours.

The Defense POW/MIA Accounting Agency (DPAA) is an agency within the U.S. Department of Defense whose mission is to recover unaccounted Department of Defense personnel listed as prisoners of war (POW) or missing in action (MIA) from designated past conflicts.

Header Image Credit : Cotswold Archaeology

Sources : Cotswold Archaeology

This content was originally published on www.heritagedaily.com – © 2023 – HeritageDaily

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Archaeology

Roman Era tomb found guarded by carved bull heads

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Archaeologists excavating at the ancient Tharsa necropolis have uncovered a Roman Era tomb guarded by two carved bull heads.

Tharsa is located near Kuyulu village in southeastern Turkey along the Adıyaman-Şanlıurfa Highway.

The site was situated on a major Roman highway from Doliche to Samosata, which today consists of a two settlement mounds and a large necropolis that dates from the 3rd century to the Byzantine period.

Excavations first commenced in 2021 which discovered a collection of Turuş Rock Tombs, a type of tomb construction carved directly into the bedrock.

In the latest season, archaeologists have excavated another Turuş Rock Tomb, however, this example was found to have two carved bull heads which is decorated with garlands and rosettes between the horns.

Bull heads, known as Bucranium, were a form of carved decoration commonly used in Classical architecture. In Ancient Rome, bucrania were often used on the friezes of temples in the Doric order of architecture, later influencing the architecture of buildings from the Renaissance, Baroque, and Neoclassical periods.

Architectural examples of bucrania are representations of the practice of displaying garlanded, sacrificial oxen, whose heads were displayed on the temple walls.

Like similar Turuş Rock Tombs, the bull heads are carved directly into the bedrock, guarding a dozen rock cut steps descending into the burial chamber which has three arched niches known as acrosolia.

Mustafa Çelik, Deputy Director of Adıyaman Museum, said, “Tharsa Ancient City consists of 3 main archaeological areas: Big Mound, Small Mound and Necropolis Area. We started excavations in the necropolis area in 2024. We added 2 more rock tombs to the rock tombs we had previously uncovered. One of them is the rock tomb we identified today.”

Header Image Credit : Adıyaman Museum

Sources : Adıyaman Museum

This content was originally published on www.heritagedaily.com – © 2023 – HeritageDaily

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