Connect with us

Archaeology

Lost Canaanite language decoded on ancient clay tablets

Published

on

Researchers have decoded a lost Canaanite language, written on two clay tablets from 4,000-years-ago.

The tablets were discovered in Iraq during the 1980’s, one ending up in a private collection in England, the other at the Jonathan and Jeanette Rosen Cuneiform Collection in the United States.

The provenance of how the tablets ended up in the west is unclear, but they were likely found during the time of the Iran-Iraq War, from 1980 to 1988.

Both tablets record phrases in an unknown language of the Amorites, an ancient Northwest Semitic-speaking people from the Levant, who also occupied large parts of southern Mesopotamia.

The phrases are written in a cursive Old Babylonian cuneiform, alongside translations in the Old Babylonian dialect of the Akkadian language (which itself was deciphered in the middle of the 19th century), enabling the scholars to read the unknown language for the first time.

Essentially, the tablets are similar to the Rosetta Stone, a stele inscribed with three versions of a decree issued in Memphis, Egypt, during the Ptolemaic dynasty. The top and middle texts of the Rosetta Stone are in Ancient Egyptian using hieroglyphic and Demotic scripts respectively, while the bottom is in Ancient Greek, making the Rosetta Stone key to deciphering the Egyptian scripts.

Researchers, Manfred Krebernik, and Andrew R. George, have been analysing the tablets since 2016, with the results of the their study now published in the latest issue of the French journal Revue d’assyriologie et d’archéologie orientale (Journal of Assyriology and Oriental Archaeology).

By looking at the grammar and vocabulary, the researchers have determined that the lost language is part of the West Semitic family of languages, which includes Hebrew and Aramaic.

“The singularity of the two tablets’ content may indicate that they come from the same scriptorium. They are sufficiently similar in handwriting to suggest that they may even be the work of the same individual scribe,” said the researchers.

The contents on Text 1 describes the names of deities, stars and constellations, foodstuffs and clothing. Text 2 is entirely devoted to bilingual phrases drawn from social intercourse.

The presence of alkam ana ṣ ē r ī – ya “come here to me” near the end of Text 1 and of alkam “come here” at the beginning of Text 2, suggests that the latter is a sequel document and further reinforces the argument that the tablets are the work of the same person.

https://doi.org/10.3917/assy.116.0113

Header Image Credit: Rudolph Mayr – Rosen Collection

This content was originally published on www.heritagedaily.com – © 2023 – HeritageDaily

Continue Reading

Archaeology

Vast Iron Age necropolis uncovered in Amorosi

Published

on

By

The Superintendency of Archaeology, Fine Arts and Landscape for the provinces of Caserta and Benevento have announced the discovery of a vast Iron Age necropolis in Amorosi, located in the Italian province of Benevento.

The necropolis was found in the Valle Telesina in the vicinity of the Volturno River during works for a new power plant being constructed by the Terna Group.

Excavations over an area of 13,000 square metres have identified 88 burials belonging to the “Pit Tomb Culture”, an Iron Age people that inhabited Campania before the emergence of the Italic Samnites.

The burials date from the 8th to the mid-7th century BC, and are a mix of male and female burials containing associated grave goods and funerary offerings. Ceramics of various shapes were placed as offerings at the feat of the deceased.

Image Credit : Superintendency of Archaeology

The male burials mainly contain weaponry, while the female burials have ornamental objects such as fibulae, bracelets, pendants, worked bone and amber.

According to the archaeologists, the burials are the interred remains of high status individuals, evidenced by the “objects of extraordinary prestige” that includes finely decorated bronze belts or bronze-rolled vessels.

The most significant discoveries are two monumental mound burials indicated by the presence of substantial stone circles measuring approximately 15 metres in diameter. The archaeologists theorise that the mound burials belonged to the elite members of the culture, possibly the ruling chieftain.

Samples of soil taken during the excavations were sent for an archaeobotanical analysis to provide data on the environment and flora, in addition to an anthropological analysis of the bone remains.

Header Image Credit : Superintendency of Archaeology

Sources : Superintendency of Archaeology, Fine Arts and Landscape for the provinces of Caserta and Benevento

This content was originally published on www.heritagedaily.com – © 2023 – HeritageDaily

Continue Reading

Archaeology

Archaeologists uncover ceramic vessels from the Chancay culture

Published

on

By

Archaeologists from the Ministry of Culture (Peruvian State) have uncovered ceramic vessels from the Chancay culture in the Chancay district of Lima, Peru.

The discovery was made following reports by locals of illegal excavations, an endemic problem in the region known as “Huaqueo” involving the exploitation of archaeological sites for artefacts to be sold on the black market.

Around 20,000 archaeological pieces are illegally extracted and trafficked out of Peru annually, which poses a constant danger to the preservation of the country’s cultural heritage.

Following a joint inspection by officials of the Municipality of Chancay and the Ministry of Culture, archaeologists have recovered ten pre-Hispanic ceramic vessels belonging to the Chancay culture at the Lauri Archaeological Site.

The Chancay culture emerged after the fall of the Wari civilisation around AD 1,000 on the central coast of Peru. Parts of the southern Chancay area were conquered by the Chimú in the early 1400s, and by around AD 1450 the Inca had dominated the entire Chimú territory.

Among the recovered vessels are ceramic jugs, pots and plates, which the Chimú manufactured using moulds.

The vessels are decorated with the “black on white” style, a technique commonly associated with the Chimú that involved painting a white background on a rough matt surface, followed by a dark colour for the decorative elements.

According to the Peruvian State: “The initial evaluation of the vessels confirmed that they are noticeably deteriorated, and in some cases fragmented due to their exposure to adverse environmental conditions or their violent manipulation. Subsequently, the pieces were transferred to the institutional headquarters for their preservation.”

Header Image Credit : Ministry of Culture

Sources : Peruvian State

This content was originally published on www.heritagedaily.com – © 2023 – HeritageDaily

Continue Reading

Trending

Generated by Feedzy