Archaeology
Moon may have influenced Stonehenge construction
A study by a team of archaeoastronomers are investigating the possible connection of the moon in influencing the Stonehenge builders.
According to a press statement by the Royal Astronomical Society, academics from Oxford, Leicester and Bournemouth universities, suggest that a major lunar standstill, a rare astronomical phenomenon, may have influenced the monument’s alignment.
A lunar standstill, also known as a lunistice, is when the Moon reaches its furthest north or furthest south point during the course of a month. A major lunar standstill is when the declination at lunar standstill varies in a cycle 18.6 years long between 18.134° (north or south) and 28.725° (north or south), due to lunar precession.
Professor Clive Ruggles, emeritus professor of archaeoastronomy at Leicester University, said: “Stonehenge’s architectural connection to the Sun is well known, but its link with the Moon is less well understood.
“The four Station Stones align with the Moon’s extreme positions, and researchers have debated for years whether this was deliberate, and – if so – how this was achieved and what might have been its purpose,” added Professor Ruggles.
The researchers plan to document Moonrises and sets at key moments in the year when the moon will be in alignment with the Station Stones. In addition, they plan to document the event and show the visual effect on the stones though light patterns and shadows.
It is believed that at least one major lunar standstill was marked during the early phases of construction at Stonehenge. This is evidenced in the cremated remains in the ditch and bank that now surrounds the stone circle, and in the Aubrey Holes – 56 pits. Many of the cremations are located in the south-eartern part in the direction of the most southerly rising position of the moon.
English Heritage, said: “The Station Stones may have been employed to help measure out the sarsen circle around 500 years after the site was first used for cremations, when the large sarsen circle was being built, suggesting a compelling and enduring connection between the lunar cycles and the architecture of Stonehenge.”
Header Image Credit : iStock
Sources : Royal Astronomical Society
This content was originally published on www.heritagedaily.com – © 2023 – HeritageDaily
Archaeologists from the APSARA National Authority have uncovered a guardian statue at the Banteay Prey Nokor temple complex in Kompong Cham, Cambodia.
Known locally as the temple of “Wat Nokor in Khum of Kompong Siem”, or “Wat Angkor”, Banteay Prey Nokor was constructed during the reign of Jayavarman VII (AD 1181–1218), the first king devoted to Buddhism in the Khmer Empire.
The complex covers an area of 37 acres and consists of a central tower surrounded by four laterite wall enclosures made from sandstone and laterite.
In addition to being the largest ancient temple complex in Kampong Cham Province, it has several distinguishing features. One of the most notable is its construction from black sandstone, which sets it apart from other temples of the period, typically built from brick or reddish sandstone.
Image Credit : Phouk Chea / Chea Sarith
Archaeologists from the Department of Preservation and Archaeology at the APSARA Authority recently excavated one of the gateways of Banteay Prey Nokor, clearing away layers of rubble from the collapsed upper structure.
Upon removing the rubble material, a guardian door statue was uncovered to the right of the eastern entrance to the gateway. The statue is broken into six pieces – breaking at the neck, the left forearm, the waist, and below the knees of both legs.
According to the researchers, the statue, which originally stood at a height of around 1.6 metres, is of the Bayon style, in reference to the Bayon state temple of Jayavarman VII at the centre of Jayavarman’s capital, Angkor Thom.
“The sandstone gate guardian will now be stored at the Preah Norodom Sihanouk-Angkor Museum,” Angkor Wat’s heritage police said in a statement. “It will be preserved and studied further.”
Header Image Credit : Phouk Chea / Chea Sarith
Sources : APSARA National Authority
This content was originally published on www.heritagedaily.com – © 2023 – HeritageDaily
Archaeologists from the State Office for Monument Preservation and Archaeology (LDA) of Saxony-Anhalt have rediscovered the Mallerbach Chapel at the site of the Kaltenborn monastery.
Between 1524 to 1525, a large number of peasants, urban lower classes, and lesser nobles living in the German-speaking areas in Central Europe rebelled against a combination of economic, social, and religious factors. These include:
Economic hardship and inequality: Peasants faced heavy burdens from taxes, dues, and rents imposed by landlords, the church, and secular rulers.
Feudal oppression: Many peasants grew increasingly resentful of the limitations placed on their freedoms by feudal lords, including restrictions on hunting, fishing, and access to communal lands.
Religious influence: The Reformation inspired many peasants who saw in it a call for social and economic reform against a corrupt church.
Legal grievances: Peasants sought greater control over local governance and justice. They were frustrated by the arbitrary decisions made by their lords and demanded more influence over the laws and rules that governed their daily lives.
Image Credit : LDA
Following the outbreak of the Peasants’ War, insurgents from the nearby villages of Riestedt and Emseloh plundered the Kaltenborn monastery near Allstedt in the German district of Mansfeld-Südharz, leading to the monastery’s decline and eventual dissolution in 1538.
According to a press statement by the LDA: “It’s destruction – an act of rebellion against the Cistercian convent of Naundorf, which was in charge of the Chapel of St. Mary and to which the Allstedt residents were subject to taxes – can be seen as the first flare-up and harbinger of the coming uprising of the ‘common man’ against the authorities.”
Recent excavations at the monastery site have located the 12th/13th century Mallerbach chapel, a sacred place of worship for pilgrims who came to witness a weeping image of the Virgin Mary.
Archaeologists have uncovered the original floor plan of the chapel, which measures around 17 metres in length with a rectangular choir and semicircular apse. Excavations have also found the altar foundations, as well as traces of burning from the time of the German Peasants’ War.
Header Image Credit : LDA
Sources : State Office for Monument Preservation and Archaeology (LDA)
This content was originally published on www.heritagedaily.com – © 2023 – HeritageDaily
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