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Indigenous trackers can identify animal species from ancient rock art prints

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Indigenous trackers can identify the species, sex, and age of animals from rock art prints found in Namibia.

According to a study published in the journal PLOS ONE, engravings of animal tracks and human footprints appear in numerous traditions of prehistoric rock art around the world. Namibia is especially rich in hunter-gatherer rock art from the Later Stone Age, with many well-executed engravings of animal and human tracks.

In the new study, researchers enlisted the help of Indigenous trackers from the Kalahari desert to analyse animal and human footprints in rock art in the Doro! Nawas Mountains in central Western Namibia.

The trackers could identify the species, gender, age group, and even the specific leg corresponding to the depicted animal or human prints in over 90% of the 513 engravings they analysed.

Their work also discovered that the rock art exhibited greater diversity in representing animal tracks than in portraying the animals themselves. Additionally, engravers displayed a clear preference for certain species and were more inclined to depict adult animals as opposed to juveniles, along with male footprints over female ones.

These findings reveal discernible patterns that likely stem from culturally influenced preferences, yet the precise meaning of these patterns remains enigmatic.

The researchers suggest that consulting with contemporary Indigenous experts might provide valuable insights into this realm. They emphasize that Indigenous knowledge holds the potential to significantly advance archaeological research; however, in this case, the exact significance and context of the rock art are likely to remain elusive.

According to the study authors: “Archaeologists from the Friedrich-Alexander University of Erlangen-Nürnberg and the University of Cologne in Germany, together with indigenous trackers from the Nyae Nyae Conservancy in Tsumkwe, Namibia, have now examined several hundred of the tracks in more detail and discovered surprising details: the tracks cover a wider range of animal species than in conventional animal depictions and differentiated cultural patterns emerge in the representation of the various species.”

PLOS ONE

Header Image Credit : Andreas Pastoors, CC-BY 4.0

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Archaeology

Geophysical study finds evidence of “labyrinth” buried beneath Mitla

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A geophysical study has found underground structures and tunnels beneath Mitla – The Zapotec “Place of the Dead”

Mitla is an archaeological site associated with the Zapotec culture, located in the Oaxaca Valley in the present-day state of Oaxaca in southern Mexico.

The Zapotec civilisation emerged in the late 6th century BC, originating in the Central Valleys of the Etla. The culture was centred on the settlements of Oaxaca, San José Mogote, and Mitla, with the city of Monte Albán serving as the civic-ceremonial centre.

At its peak, the Zapotec had a population of more than 500,000 inhabitants, having developed sophisticated construction techniques, a writing system, two calendar systems, and complex agricultural cultivation.

In 2016, the Lyobaa Project, an institutional collaboration led by the National Institute of History and Anthropology (INAH) employed ground penetrating radar (GPR), electrical resistivity tomography (ERT), and ambient seismic noise interferometry (AIRSA) to explore potential archaeological features beneath the San Pablo Apóstol church, built atop the Zapotec ruins in Mitla.

Image Credit : Lyobaa Project

According to local legend, the church was constructed on an entrance way to an underground labyrinth, serving as a passage between the realm of the living to the realm of the dead, referred to as Mictlán in Nahuatl, meaning the “place of the dead” or “underworld.”

In 1674, the Dominican chronicler, Francisco Burgoa, described Spanish missionaries entering the labyrinth: “Such was the corruption and bad smell, the dampness of the floor, and a cold wind which extinguished the lights, that at the little distance they had already penetrated, they resolved to come out, and ordered this infernal gate to be thoroughly closed with masonry.”

As part of phase two of the Lyobaa Project, the researchers have identified buried architectural complexes and a series of corridors during a study of the Calvario, Arroyo, and del Sur groups within the archaeological zone.

The Arroyo group, located in the central area of the site has three quadrangle features connected by tunnels that likely date from AD 1200 during the Late Postclassic period.

The project also conducted a survey of the quadrangular plaza where the San Pablo Apóstol church was constructed on the remains of a pre-Hispanic temple. Beneath the plaza the researchers found that there are four mounds with clay internal cores.

Archaeologist, Denisse Argote, said: “We were able to determine that, although the core of the stepped structure is solid, the foundation of the historic church requires short-term intervention to guarantee its conservation, so measures must be taken to ensure its structural stability.”

“There are cracks in the historic building, since it does not have a foundation and, underneath, in what corresponds to the remains of the pre-Hispanic building, it seems that there are areas with small cavities,” added Argote.

Header Image Credit : Shutterstock

Sources : INAH

This content was originally published on www.heritagedaily.com – © 2023 – HeritageDaily

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Archaeology

Discovery of a Romanesque religious structure rewrites history of Frauenchiemsee

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Archaeologists from the Bavarian State Office for Monument Preservation have announced the discovery of a Romanesque religious structure on the island of Frauenchiemsee, the second largest of the three islands in Chiemsee, Germany.

According to the researchers, the structure holds important religious significance, suggesting it might have been erected to venerate Blessed Irmgard (also known as Irmengard), the daughter of King Louis the German and the great-granddaughter of Charlemagne.

During the mid-9th century, Irmgard was appointed the first abbess of Frauenwörth Abbey, who restored the decaying premises and founded a Benedictine convent for nuns. Because of her royal ancestry, she had the right to wear a thin golden hoop resembling a crown, often depicted on paintings and frescoes with her image.

Following her death in 866, Irmgard was venerated and her head reliquary was translated to Seeon Abbey in 1004. She was officially beatified in 1929 by Pope Pius XI, and a celebratory ceremony in 2003 saw her relics reunified.

A recent geophysical study to locate the demolished remains of the Church of Saint Martin has revealed the imprint of a Romanesque structure completely absent from all historical text and contemporary maps.

Image Credit : Bavarian State Office for Monument Preservation

The structure is buried at a depth of 1 metre and measures 19 metres in diameter. The GPR results reveal the floor plan of an octagonal central building with an ambulatory formed by eight supports and four arrange in a cross shape.

Mathias Pfeil of the Bavarian State Office for Monument Preservation notes that religious structures with pre-Romanesque or Romanesque architecture, particularly those with sacral significance, are exceedingly uncommon north of the Alps. Such edifices are often perceived as imitations of the Church of the Holy Sepulchre in Jerusalem.

According to the researchers, the structure was likely built during the construction of the new monastery and Romanesque abbey church (of which the gatehouse and bell tower survive to this day) to venerate Irmgard as a destination for pilgrims

Header Image Credit : Bavarian State Office for Monument Preservation

Sources : Bavarian State Office for Monument Preservation

This content was originally published on www.heritagedaily.com – © 2023 – HeritageDaily

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