Archaeology
Study records 2,000 years of ancient graffiti in Egypt
The production of a state-of-the-art 3D recording of the Temple of Isis in Philae, Egypt is allowing researchers from Simon Fraser University to gain further understanding of ancient graffiti and how it relates to modern graffiti.
The researchers are collaborating with the University of Ottawa and have already shared preliminary results in Egyptian Archaeology. They have now gone back to Philae to continue their work on the project.
“It’s fascinating because there are similarities with today’s graffiti,” says SFU geography professor Nick Hedley, co-investigator of the Social Sciences and Humanities Research Council (SSHRC)-funded project. “The iconic architecture of ancient Egypt was built by those in positions of power and wealth, but the graffiti records the voices and activities of everybody else. The building acts like a giant sponge or notepad for generations of people from different cultures for over 2,000 years.”
Leading the team’s visualization efforts, Hedley utilizes his expertise in spatial reality capture to document ancient graffiti and their architectural surroundings using cutting-edge techniques such as photogrammetry, laser scanning, and raking light. By recording the reality of the site in three dimensions, he aims to create an accurate representation of the temple and the graffiti it houses.
With a significant number of graffiti, some of which are barely visible and carved less than a millimetre deep into the temple’s columns, walls, and roof, achieving precision is crucial to the project’s success.
Traditionally, the graffiti would have been documented through hand-drawn sketches or photographs. However, the team’s use of advanced methods allows for a higher level of accuracy and enables researchers to study and analyse the site remotely.
According to Sabrina Higgins, a co-investigator on the project and archaeologist at SFU, photographs and two-dimensional plans fall short in capturing the dynamic, multi-layered, and evolving nature of the field site.
Hedley is taking a step beyond basic two-dimensional imaging by creating an advanced three-dimensional recording of the entire surface of the temple. This innovative technique allows for the temple’s interior and exterior, along with the graffiti, to be viewed and analysed from virtually any angle, without sacrificing detail.
The three-dimensional visualization also provides an opportunity for researchers to investigate the relationship between figural graffiti, surrounding graffiti, and their placement in relation to the temple’s architectural structure.
Although this technology is transformative in examining the temple and its inscriptions, Hedley believes that the potential for applying spatial reality capture extends beyond archaeology and could have a significant impact on various fields.
“Though my primary role in this project is to help build the definitive set of digital wall plans for the Mammisi at Philae, I’m also demonstrating how emerging spatial reality capture methods can fundamentally change how we gather and produce data and transform our ability to interpret and analyse these spaces.” says Hedley.
Professor Nick Hedley – Image Credit : Simon Fraser University
A recent study, published in the journal ResearchGate, proposes that the Pyramid of Djoser could have been constructed using hydraulic lift.
The Pyramid of Djoser, also known as the Step Pyramid, is a proto-pyramid built as the final resting place of Djoser, the first or second pharaoh of Egypt’s 3rd Dynasty (2670–2650 BC) during the Old Kingdom period.
The pyramid rises from the Saqqara plateau in six steps to a height of around 60 to 62 metres, serving as the centre of a vast mortuary complex.
Due to the absence of authentic sources from the pyramid architects’ working sphere, there is currently no confirmed comprehensive model for the method used in the pyramid construction.
The prevailing theory suggests that the heavy stone blocks were transported on apparatuses such as rollers, and raised to height using a series of ramps.
In the study, a survey of watersheds near to the pyramid indicate that the Gisr el-Mudir (enclosure) has features of a check dam for trapping sediment and water. Furthermore, the topography beyond the “dam” shows a possible ephemeral lake west of the Djoser complex, and water flow inside the moat surrounding it.
The study authors explain: “In the southern section of the moat, we show that the monumental linear rock-cut structure consisting of successive, deep compartments, combines the technical requirements of a water treatment facility: a settling basin, a retention basin, and a purification system.”
Based on this finding, the study proposes that the Gisr el-Mudir and moat’s inner south section worked as a unified hydraulic system for regulating flow and improving water quality. In addition, the pyramid’s internal architecture is consistent with a hydraulic elevation mechanism never reported before.
“The ancient architects likely raised the stones from the pyramid centre in a volcano fashion using the sediment-free water from the Dry Moat’s south section. Ancient Egyptians are famous for their pioneering and mastery of hydraulics through canals for irrigation purposes and barges to transport huge stones. This work opens a new line of research: the use of hydraulic force to erect the massive structures built by Pharaohs,” said the study authors.
Please note: This study was submitted to PLOS ONE on December 7, 2023. After two rounds of review by peers, the paper was formally accepted by PLOS ONE on June 27, 2024. Since July 23, 2024, it has been the subject of new consultations and review by the PLOS ONE Editorial Board.
Header Image Credit : Shutterstock
Sources : ResearchGate | Piton, Guillaume. (2024). On the possible use of hydraulic force to assist with building the Step Pyramid of Saqqara. PLOS ONE.
This content was originally published on www.heritagedaily.com – © 2023 – HeritageDaily
Constructed between 1630 and 1633 in a Renaissance-Baroque style, the Great Synagogue of Vilnius served as the religious centre of a complex of synagogues, mikvahs, and community institutions devoted to Torah study in Vilnius, Lithuania.
According to a press statement by the Israel Antiquities Authority (IAA): “The Great Synagogue of Vilna was the beating heart of the Lithuanian Jewry, which included 12 synagogues and study houses, the community council building, the home of Rabbi Eliyahu – the Vilna Gaon, Kosher meat stalls, the famous ‘Strashun’ library, a bathhouse and more.”
During World War II, the synagogue was looted, burned, and partially destroyed by the Nazis in the holocaust. Soviet authorities completely demolished the remaining structure to build a school, intending to prevent any future restoration of Jewish worship.
Only three original pieces of the synagogue survived the destruction: a door of the Holy Ark, a reader’s desk, and a bas-relief with the Ten Commandments, which are now on display at the Vilna Gaon Jewish Museum.
Image Credit : Israel Antiquities Authority
In a recent study conducted by the IAA, the Association of Lithuanian Archaeology, the Good Will Foundation, and the Jewish Community of Lithuania, archaeologists have rediscovered traces of the synagogue’s decorated walls and remnants of flooring with red, black, and white floral patterns that paved the main hall.
Excavations also uncovered huge water reservoirs to feed halachically pure water to the mikva’ot, and one of the giant pillars that surrounded the Bimah (prayer platform).
Dr. Jon Seligman from the IAA and Justinas Rakas from the Lithuanian Archaeological Society, said: “The magnificent remains we are rediscovering bring back moments in the life of a lost vibrant community.”
Header Image Credit : Israel Antiquities Authority
Sources : IAA
This content was originally published on www.heritagedaily.com – © 2023 – HeritageDaily
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