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Roman era sphinx uncovered at Dendera Temple Complex

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An archaeological mission from the Ain Shams University has uncovered a Roman era sphinx during excavations at the Dendera Temple Complex, located in the Qena Governorate of Egypt.

The Temple of Dendera is a large ceremonial complex covering an area of 9.8 acres. The complex is centred on the Hathor Temple, a sanctuary which has been modified on the same site since the Middle Kingdom until the time of the Roman Emperor Trajan.

Recent excavations led by Dr Mamdouh El Damaty, a former antiquities minister and a professor of archaeology at Cairo’s Ain Shams University, revealed a Roman structure in an area east of the main complex where a temple dedicated to Horus is located.

The structure is built using limestone and mortar, consisting of two levels. The lower level contains a large basin for collecting water from the Byzantine period, where the researchers found a Roman era sphinx statue.

Image Credit : Ministry of Tourism and Antiquities

The sphinx is shown wearing a Nemes, a royal headdress worn by pharaohs to symbolise their rule. Above the forehead is an Uraeus, an Egyptian cobra used as a symbol of sovereignty, royalty, deity and divine authority.

“Preliminary inspection of the sphinx’s face suggests that the sphinx is a depiction of the Roman emperor Claudius,” the ministry’s statement read.

Claudius ruled Egypt from around 10 BC to AD 54, which at the time was under Roman rule. As “Pharaoh” of Egypt, Claudius adopted the royal titulary Tiberios Klaudios, Autokrator Heqaheqau Meryasetptah, Kanakht Djediakhshuemakhet (“Tiberius Claudius, Emperor and ruler of rulers, beloved of Isis and Ptah, the strong bull of the stable moon on the horizon”).

“The statue is really beautiful, its face is characterised by royal features that are depicted quite precisely,” Dr El Damaty said. “The traces of a smile can be seen on the edges of its mouth, which has a dimple on either side. There are traces of yellow and red in the face.”

Ministry of Tourism and Antiquities

Header Image Credit : Ministry of Tourism and Antiquities

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Archaeology

Archaeologists uncover 2,000-year-old clay token used by pilgrims

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A clay token unearthed by the Temple Mount Sifting Project, is believed to have served pilgrims exchanging offerings during the Passover festival 2,000-years-ago.

The token features a seal imprint depicting an amphora and an Ancient Greek inscription. Greek letters appear around the amphora which reads ΔΟΥ-ΛΟ[Υ] (DOULOU), the genitive of the personal name, Doulês.

Doulês was a common name in parts of Thrace, Macedonia, and regions of the Black Sea, where during the Late Hellenistic and Early Roman periods was settled by communities of Jewish people.

Based on the form of the amphora, archaeologists from the Temple Mount Sifting Project suggest that the token dates from the second half of the first century AD and was likely carried by a pilgrim to the Temple Mount (approximately a century before the Second Temple’s destruction).

Unlike typical clay sealings known as bullae, the token is pinched on the back, indicating that it was intended to be handled rather than attached to a knot securing a document or container.

According to the researchers, the token is similar to another example found near Temple Mount, which bears an Aramaic inscription reading דכא/ליה and initially interpreted as “pure to God” by the archaeologists.

“The Aramaic token adds further context for the Greek-inscribed token from the Temple Mount. Notably, it depicts a wine jar, aligning with the Mishnaic text that discusses nesachim, a term for the wine libation poured on the Temple altar and also used to refer generally to all the offering components. It is plausible that this token was intended for Greek-speaking pilgrims, possibly including Jews from the diaspora,” said the Temple Mount Sifting Project.

Header Image Credit : Zachi Dvira

Sources : Temple Mount Sifting Project

This content was originally published on www.heritagedaily.com – © 2023 – HeritageDaily

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Moon may have influenced Stonehenge construction

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A study by a team of archaeoastronomers are investigating the possible connection of the moon in influencing the Stonehenge builders.

According to a press statement by the Royal Astronomical Society, academics from Oxford, Leicester and Bournemouth universities, suggest that a major lunar standstill, a rare astronomical phenomenon, may have influenced the monument’s alignment.

A lunar standstill, also known as a lunistice, is when the Moon reaches its furthest north or furthest south point during the course of a month. A major lunar standstill is when the declination at lunar standstill varies in a cycle 18.6 years long between 18.134° (north or south) and 28.725° (north or south), due to lunar precession.

Professor Clive Ruggles, emeritus professor of archaeoastronomy at Leicester University, said: “Stonehenge’s architectural connection to the Sun is well known, but its link with the Moon is less well understood.

“The four Station Stones align with the Moon’s extreme positions, and researchers have debated for years whether this was deliberate, and – if so – how this was achieved and what might have been its purpose,” added Professor Ruggles.

The researchers plan to document Moonrises and sets at key moments in the year when the moon will be in alignment with the Station Stones. In addition, they plan to document the event and show the visual effect on the stones though light patterns and shadows.

It is believed that at least one major lunar standstill was marked during the early phases of construction at Stonehenge. This is evidenced in the cremated remains in the ditch and bank that now surrounds the stone circle, and in the Aubrey Holes – 56 pits. Many of the cremations are located in the south-eartern part in the direction of the most southerly rising position of the moon.

English Heritage, said: “The Station Stones may have been employed to help measure out the sarsen circle around 500 years after the site was first used for cremations, when the large sarsen circle was being built, suggesting a compelling and enduring connection between the lunar cycles and the architecture of Stonehenge.”

Header Image Credit : iStock

Sources : Royal Astronomical Society

This content was originally published on www.heritagedaily.com – © 2023 – HeritageDaily

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