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Archaeologists uncover 2,000-year-old stringed instrument in Vietnam

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Archaeologists have uncovered an ancient stringed musical instrument crafted from deer antler in southern Vietnam.

The instrument is 2,000 years old, dating from the period of Vietnam’s pre-Óc Eo culture that lived along the Mekong River.

Fredeliza Campos from The Australian National University (ANU) said: “This stringed instrument, or chordophone, is one of the earliest examples of this type of instrument in Southeast Asia. It fills the gap between the region’s earliest known musical instruments – lithophones or stone percussion plates – and more modern instruments.”

“It would’ve been around 35cm long and had a hole at one end for a peg which would have been important for tuning. It also had what looks like a bridge to support the string,” added Campos.

The instrument was identified from more than 600 bone artefacts found at the archaeological site of Gò Ô Chùa, in Long An province, Southern Vietnam. The likely source of the antler used to craft the instrument is the Sambar deer of the Indian hog deer, native to mainland Southeast Asia.

Three identical bronze bells which were most likely part of a burial were also found.

“It is clearly established that music played an important role in the early cultures of this region. The striking similarities between the artefacts we studied and some stringed instruments that are still being played suggest that traditional Vietnamese music has its origins in the prehistoric past,” said Campos.

How the instrument was played or what it might have sounded like is unclear, but the researchers believe that the methods might have been similar to contemporary Vietnamese musical instruments such as the K’ný.

“The K’ný is a single string bowed instrument that is uniquely controlled by the player’s mouth and acts as a resonator. It can play a wide variety of sounds and tones, much more than a chromatic scale you often hear on a piano,” said Campos.

Antiquity

https://doi.org/10.15184/aqy.2022.170

Header Image Credit : Antiquity

This content was originally published on www.heritagedaily.com – © 2023 – HeritageDaily

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Archaeology

Archaeologists uncover 2,000-year-old clay token used by pilgrims

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A clay token unearthed by the Temple Mount Sifting Project, is believed to have served pilgrims exchanging offerings during the Passover festival 2,000-years-ago.

The token features a seal imprint depicting an amphora and an Ancient Greek inscription. Greek letters appear around the amphora which reads ΔΟΥ-ΛΟ[Υ] (DOULOU), the genitive of the personal name, Doulês.

Doulês was a common name in parts of Thrace, Macedonia, and regions of the Black Sea, where during the Late Hellenistic and Early Roman periods was settled by communities of Jewish people.

Based on the form of the amphora, archaeologists from the Temple Mount Sifting Project suggest that the token dates from the second half of the first century AD and was likely carried by a pilgrim to the Temple Mount (approximately a century before the Second Temple’s destruction).

Unlike typical clay sealings known as bullae, the token is pinched on the back, indicating that it was intended to be handled rather than attached to a knot securing a document or container.

According to the researchers, the token is similar to another example found near Temple Mount, which bears an Aramaic inscription reading דכא/ליה and initially interpreted as “pure to God” by the archaeologists.

“The Aramaic token adds further context for the Greek-inscribed token from the Temple Mount. Notably, it depicts a wine jar, aligning with the Mishnaic text that discusses nesachim, a term for the wine libation poured on the Temple altar and also used to refer generally to all the offering components. It is plausible that this token was intended for Greek-speaking pilgrims, possibly including Jews from the diaspora,” said the Temple Mount Sifting Project.

Header Image Credit : Zachi Dvira

Sources : Temple Mount Sifting Project

This content was originally published on www.heritagedaily.com – © 2023 – HeritageDaily

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Archaeology

Moon may have influenced Stonehenge construction

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A study by a team of archaeoastronomers are investigating the possible connection of the moon in influencing the Stonehenge builders.

According to a press statement by the Royal Astronomical Society, academics from Oxford, Leicester and Bournemouth universities, suggest that a major lunar standstill, a rare astronomical phenomenon, may have influenced the monument’s alignment.

A lunar standstill, also known as a lunistice, is when the Moon reaches its furthest north or furthest south point during the course of a month. A major lunar standstill is when the declination at lunar standstill varies in a cycle 18.6 years long between 18.134° (north or south) and 28.725° (north or south), due to lunar precession.

Professor Clive Ruggles, emeritus professor of archaeoastronomy at Leicester University, said: “Stonehenge’s architectural connection to the Sun is well known, but its link with the Moon is less well understood.

“The four Station Stones align with the Moon’s extreme positions, and researchers have debated for years whether this was deliberate, and – if so – how this was achieved and what might have been its purpose,” added Professor Ruggles.

The researchers plan to document Moonrises and sets at key moments in the year when the moon will be in alignment with the Station Stones. In addition, they plan to document the event and show the visual effect on the stones though light patterns and shadows.

It is believed that at least one major lunar standstill was marked during the early phases of construction at Stonehenge. This is evidenced in the cremated remains in the ditch and bank that now surrounds the stone circle, and in the Aubrey Holes – 56 pits. Many of the cremations are located in the south-eartern part in the direction of the most southerly rising position of the moon.

English Heritage, said: “The Station Stones may have been employed to help measure out the sarsen circle around 500 years after the site was first used for cremations, when the large sarsen circle was being built, suggesting a compelling and enduring connection between the lunar cycles and the architecture of Stonehenge.”

Header Image Credit : iStock

Sources : Royal Astronomical Society

This content was originally published on www.heritagedaily.com – © 2023 – HeritageDaily

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